General Script posted April 18, 2020 |
All that's left: mother/daughter monologues
Mortal Remains
by Elizabeth Emerald
ACT ONE Liz, age 65, is sitting on her bed in a robe and a headscarf of the sort worn by chemo patients gone bald. Beside her is a large jewelry case; at the foot of her bed are three large opaque plastic bins. A pair of clothing racks are on opposite walls, one containing sequined evening gowns, the other a variety of colorful clothing with sundry shoes and accessories strewn nearby.
I am haunted by the harbinger of my own ghost. This, my daily dread, will by its nature be rendered moot upon my death; nevertheless, the specter of my pending non-existence torments me. Death itself I do not unduly fear. Why then, do I persist in such torturous contemplation of the fate that awaits us all? I can bear the knowledge that I myself will cease to survive in body or in soul. (No life eternal for me, thank you very much.) What I cannot bear is the knowledge that there is no escaping—not death, but its post-mortem: i.e., the meticulous erasure of my earthly trappings; ergo, of myself. I imagine them, vividly, my three grown children—Doug, Dan, Lauren—trudging their way, dutifully, resolutely, through sundry cupboards and closets, boxes and bins.
(she gestures toward rack of clothing) My wardrobe: Color-crazy-mix-and-(mis)matches; copper-leather, custom-made-in-Italy boots; eclectic collection of over-the-top hats—everything unique to the Emerald trademark—OUT.
(she gestures toward rack of gowns) The “Boutique”: The sumptuous silks and such, the beaded and sequined gowns, the fine leather accessories—all having been gathered for the express purpose of raising funds on behalf of the local food pantry—OUT.
(she rummages in the jewelry chest, admiring several items as she holds each in turn before strewing them on the bed) Treasure chest #1: The 56-piece-and-counting collection of stone-in-sterling pendants—outfit complements that oft attract outfit compliments. The hundreds of pins—handmade-by-me, featuring foreign stamps, glittered metallic monograms, pop-and-fine-art images—OUT.
(she rummages in one of the bins, hoisting assorted trophies and medals before laying them on the bed) Treasure chest #2: The 268-piece-and-counting collection of racing medals, awarded me, over these past five years, for placing first, second, third (or only: as age increases, size decreases) in my 60-plus age division—OUT.
(she rummages in another bin, flipping through photo albums before laying them on the bed) Treasure chest #3: The 43-piece-and-counting collection of 36-count photo “flippers,” collective chronicles of these past eight years—years I’ve spent with Chuck, my “best man”—the happiest years of my life. (upon mention of Chuck, she reaches over to her dresser and holds aloft a framed portrait of the two of them—poster-sized for audience visibility—then resumes speaking) World travelers we aren’t—indeed, our roaming range is book-ended by Salems MA and NH on the top shelf, and bordered by Boston and barely-beyond-it on the bottom. Nevertheless, everywhere we do go—lake-and-sea-side, North-and-South-shore, wedding-and- shower-ing, XMAS-and-Easter-ing, racing-and-medal-ing—Chuck is never without his camera. (Except for two one-week-periods pending recovery or replacement of a couple of car-roof casualties.) This super-saturated, electric-rainbowed panorama, this scrumptious jumble-pie comprising the eight most prime slices of my life—OUT.
(she rummages in another bin, hauling out folders, notebooks, and newpapers and strewing them on the bed) Treasure chest #4: The writings I’ve done on and—mostly—off over the last 33 years. These comprise five “books,” four novels and one non-fiction—all, alas, unpublished—and short stories and such from three writers’ groups. And these thirteen letters to the editor—my lame claim to fame.
(she extracts a large spiral notebook from the bin) Interspersed amidst the workshop writings are several interim, independent productions. These were spewed by way of coping with profound demoralization, such as was occasioned by major kicks to this erstwhile-complacent butt of mine. Unexpected layoff with persistent unemployment; ugly implosion of an assumed-to-be-forever-best-friendship; sudden and significant loss of speed in my race times—a recurrent curse—which persisted, mysteriously, for months on end, despite my determined efforts to recoup. I refer these stress-induced, sleepless-night rants, collectively, as my “Midnight Ramblings.” (she commences to replace the various items in their containers, after which she resumes addressing the audience)
A few months back, I wrote a “will” of sorts—which I titled “Loose Ends,” that expresses my wishes for disposition of my writings. As for those other “trappings”—so aptly termed—of my life, this stuff of mine, detailed above, which defines me; this stuff in which I am mired, entangled, a prisoner of my sense of self; this stuff that nobody else cares about, at least, not in the way that I care, so desperately care, about it: Why does my earthly mind refuse to relinquish these, my mortal remains? This is not to say that I should simply toss my stuff now—actually, of course I should, but I cannot bear to do so. What I mean by “relinquish” is not give up the goods preemptively, but rather make peace with their pending, post-mortem departure. How am I to do this, pray tell? The question, in its literal sense, is unanswerable, whether by prayer or pragmatic means. The former is not an option for an atheist; the latter would entail extensive psychoanalysis, whereby the only “relinquishment” guaranteed would involve my bank account. The problem behind the question can be addressed in a practical sense. Its solution can be boiled down to a trite: Grow up already and face your mortality! (She pulls out a red marker and a yellow sticky pad, and recites aloud as she prints, then affixes each label to its designated box: TC#1 … TC#2 … TC#3 … TC#4.) (close curtain)
Thanks to avmurray for artwork: Jewelry Box
Pays
one point
and 2 member cents. Artwork by avmurray at FanArtReview.com |
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